​If you can't attend this season's fetes
Simply send in your regrets
When a guy needs your reply
You don't have to lie
Use the two-letter word that's so taboo
If I can say it, so can you

Some men will shrug politely
Other men will sit quietly
Some people just can't say no, I can't say anything but
Some ladies will say maybe
Others'll utter a "hm, we'll see"
Some people just can't say no, I can't say anything but

Silence is golden
Unless you're holdin' 
A ticket to your colleague's one-man show
You know you should go, 
But it fills you with dread
So you lie and say you're sick in bed instead

When I receive an invitation for a night out on the town
I am of the inclination to turn that invite down
In response to your rsvp, you don't need to guess
I won't need a party dress when I don't circle yes

When someone makes you a resistible offer
There's one answer that you can proffer
If you're prone to give the cold shoulder
Throw 'em a bone, be a bit bolder
Forget the brush off, don't simply rush off
Why keep 'em in suspense and make a situation tense
Give it go, deliver the blow and just say no

Vo-dee-oh-dee-oh-no

Click comic to view full size. 

There once was a fella called Marc
who was jonesin' for a caffeine spark
When he ordered his coffee
he said "Marc with a C"
But the barista made a latte for Cark

That's certainly the legend spreading across the vast Internet superhighway, anyway. My name is Cark and I am Internet famous. Or, rather, my name is Internet famous. One year ago, on an ordinary Tuesday, I ordered my regular fancy coffee drink from a popular fancy coffee chain, like I do on ordinary Tuesdays. I recall this particular Tuesday because I made a special trip to renew my gold status in the rewards program, which was set to expire that week. In the months prior, I'd shifted my loyalties to the independent coffee place in my office building. But I still like to treat myself during birthday week to a free frothy mocha drink, courtesy of the rewards program. So I went in, queued up, placed my order for my grande, half-caf soy cinnamon latte with caramel drizzle, picked it up at the end of the counter, then continued with the rest of my boring little day. Three days later, my sister sent me a link to a photo posted on snapchat that was going viral. It was my cup with my name and the code for my complex concoction with the caption "i said my name was marc with a c." 

Suddenly, it was everywhere. My cup was being shared by strangers on Reddit, Tumblr, Facebook, Flickr, Instagram, Pinterest, and even the long neglected LiveJournal. Every man called Marc is now being forwarded a photo of my Starbucks cup with the caption "I said my name was Marc with a C." People comment to complain about baristas forever bungling simple names. There are Tumblrs dedicated to sharing cups with mangled monikers. It was through one of these blogs that I happened to see the "I said my name was Stephen with a PH" meme featuring a receipt spelling the name "Phteven." Phteven predates my meme by several months. It seems that some social media expert must have deduced that Cark is catchier, zippier than Phteven, and has better traction for virality several times over.

I am no stranger to being misidentified. Throughout grade school, my teachers called me Clark. My first girlfriend called me Carl for three months. My supervisor's boss insists that my name is Kirk. My own Starbucks cup has come up as Carla on several occasions. This meme, however, is a first.

Cark is an old family name. When the last of the Carks perished, new generations elected to honour the memory by bestowing the former surname onto newer generations. The rest of the men in my family leave the name safely buried in the middle, reducing it to an initial and going about their life Cark-free. My parents were saddled with the chore of paying homage to two great dead men, which is how I came to be known as Evelyn Cark Schmutzfänger. I've pleaded with my mother to let me change one of my names but family tradition was more important than the relentless torment of her precious child. For a few glorious years—thanks to high metabolism and a pallor befitting a guy with a proclivity for staying indoors with television and video games—I was given the slightly cooler nickname Carcass. 

Now I'm just plain old Cark. Or, I was until Carkbucks happened and every guy called Marc who's ever had to say "It's Marc with a 'C'" suddenly gets this Cark cup meme from people they haven't heard from in years—school friends, distant relatives, the ex-girlfriends of guys Marc doesn't even hang out with anymore. I know what the Marcs are going through because some of them have tracked down my email and complained, at length, about how they're getting this "joke" sent to them. A couple of them have sent nasty messages telling me to stop mocking them, to stop encouraging the meme. They believe that my name on my social media profile is taking the "joke" too far. 

On my Instagram, I posted a photo of my most recent Starbucks cup with my name hastily scribbled on the side and my cherished gold card, with my name clearly printed on the front. Cark Schmutzfanger — member since 2013, long before this stupid meme. People just laugh, tack it onto the original Snapchat image and claim Sbux just gets it wrong everywhere. 

Is it fair to blame the employees of an international coffee chain? Sure, baristas are notorious for getting names wrong, but who wouldn't, with the din and buzz and whirring blenders at the height of the morning rush. Coffee cups aren't the only way our names get screwed up. In general everyday conversation, people are constantly misunderstanding each other and using their internal—frequently faulty—auto-fill and auto-correct functions. They only listen to the first part of a name, question, or answer to a basic inquiry, and fill in the rest automatically under the assumption that they know what you mean. Sometimes they believe they misheard you—or you misspoke—and adjust what they heard to what they believe you meant. Hilarity ensues. Embarrassment abounds. Cark becomes Clark and Carl and Kirk and Carol and Cartman and Corky and Cook and Mark. And when you try to correct them, they'll make excuses like, "Well, you look like a Carl" or "I guess I'm thinking of someone else this guy's introduced me to." The coffee industry isn't a threat to personal brands—it's the whole human race.

I changed my name on Facebook for a while, at the height of Carkbucks. When I shared a link to a news story about how there's so much garbage in the ocean, we pretty much definitely have plastic in our diet, an aunt posted a comment underneath that said "Yikes. Hey, why did you change your name? I didn't recognize you and almost unfriended you." This from the woman who, for my last birthday commented "HBD Cerk." What hope can we have for humanity when our Facebook friends can't get the spelling of our names correct while wishing us happy birthdays when the name right there next to the box they just typed hbd into?

Look, it was my cup. It was presumptuous of that Marc guy to lay claim to it. Now Marcs the world over are getting Cark cups and I'm getting harassed because a lot of people have a banal sense of humour. I can't even order fancy coffee drinks with my own name anymore because the baristas are hip to the meme now. When I give my name, the kid scribbling on my cup gives me a knowing smirk, like I'm trying to trick him. I can't go to other cafes with pick-up counters where they shout your name for fear of a Marc encounter. My gold reward membership status is in serious danger. The worst part is that neither I nor the originator of the meme can parlay this Internet fame into monetary gains. Hashtag: first world problem.

Eventually the meme will be forgotten by the masses. Aunts and acquaintances will pass along another viral LOL they picked up from their cousins and church buddies. They won't understand the lingering resentment, irritation, fear, and pain caused by their clueless Carkening. My friends will go back to ridiculing my top knot and my keytar instead of saying, "Hey, did you see that meme? That's hiLARious!" But I'll never again be able to meet a Marc without apologizing for my own name. At least I know my name isn't Phteven.


[The above was a work of fiction. Here's a YouTube video from the "original" Marc (with a 'C') about The Carkening.]
​

The Plan

Someone in this coffee shop is going to die. Well, he wants to die. Well, he thinks he wants to die. He feels like he's already dead, a ghost who has commandeered a human suit but has lost whatever it is that drives people to lead vibrant, productive lives. It is this feeling, or lack of feeling, that motivated Adam to pull one of the tabs on the "Planning a suicide? Call this number" flyer on the coffee shop's community bulletin board. Unable to overcome his phone anxiety, he texts the number and receives an immediate reply to meet up this afternoon. He agrees and waits at his regular table. 

The coffee shop is buzzing as the late afternoon crowd queues up for their post-lunch fix. It's always the same mix of business casual clientele bribing themselves with frothy treats to push through the rest of the work day, the bone-tired workers in danger of falling asleep again on their long commute home, and the telecommuters who ran out of coffee and clean pajamas at home. The other tables are full of the sort of characters you expect to see at three-thirty on a Wednesday afternoon. The gossiping high schoolers gab over caffeinated milkshakes near the window. Two business guys chug black coffee in their rolled up shirtsleeves while testing the boundaries of political incorrectness in banter and behaviour. Across the aisle, an ill-timed job interview is taking place. An employer's attempt to seem casual backfires as the overdressed applicant, already jittery from nerves, tries to overcome sweaty palms and dry mouth while sneaking sips of her latte between questions about what kind of animal she would be in an office emergency and what weaknesses will she have in five years. Adam's tiny two-top table tucked next to the condiment counter is prime observation real estate. He, however, is unaffected by the crowds, even as people lightly bump his seat as they load their coffee drinks with extra milk and sugar and the occasional dusting of cinnamon.

He takes no notice as Sue breezes into the shop and finds the quickest path to his table. Sue immediately recognizes the man who called for help—the ratty college hoodie, the neglected neck stubble, the faint aroma of someone who said goodbye to good hygiene some time ago, vacant stare into the middle distance—Adam displays all the classic signs of a man who's not only given up hope, he's driven it out to a desert, chained it to a cactus, sliced open its belly and left it to bleed out alone in the sweltering heat. He barely blinks as she pulls the empty chair out just enough to squeeze into it and sets her oversized leather handbag on the floor.

"Adam?" 

"Yes?" he confirms.

"Hi, Adam, I'm Sue. I got your texts."

"Yes. Hi."

"So! You’re planning a suicide!"

Sue's enthusiasm is just the thing to lift Adam's fog of indifference. He blinks and focuses on the young extrovert now perched across from him. Sue retrieves a business card from her bag and passes it off to Adam.  The card reads:

Susan Cydalle
Personal Mortality Strategist

Adam studies her as she scrolls through her phone to adjust notification settings. Severe is the first word that jumps to mind—her hair pulled back just a touch too tight and her bun just a little too neat. She wears a navy blue suit, polyester with a fake light blue pocket square peeking out from a fake breast pocket. The skirt length hasn't been in vogue since the early-aughts. The whole thing was probably bought in haste from a mall boutique for a job interview in the neighbouring corporate complex. She aims for successful entrepreneur look but falls just shy of a junior stewardess. 

"Oh, erm, well…I have been thinking about it," he replies.
"Mm-hmm, well, as you know, suicide is a big step. It’s a once-in-a-lifetime event for most people. I mean, it’s a huge commitment. And it requires more preparation than you might think."

Adam nods and says, "I understand. I just don’t know what my options are."

Sue reaches down to her handbag and pulls out an overstuffed binder which lands with such a thud as her sets it on the table that it even distracts the gabbing girls from their milkshakes and boy band debate.

 "You called at the right time then. There are tons of options!" Sue opens the binder and starts flipping through pages of stationery samples, checklists, vision boards, and graphic scenes of suicide attempts.

"So, this is your first attempt at suicide, right?"

"Yeah."

"Good. We can start from scratch. What people don't grasp is that suicide requires a LOT of planning. Like, you have to decide how do you want to be found, what you want to wear, is it a destination suicide or an intimate home affair? How much are you looking to spend? Do you want to go cheap or spend every last dime? If you just wanna do something simple at home, that's a popular choice, but it lacks oomph. If you want to stage your event somewhere else, you have to book the venue, make sure you have the proper permits, and, oh, you've gotta hire a clean up crew!  No one ever really thinks about clean up. And it doesn't matter how simple or elaborate, there's always a mess, but once the guest of honour is gone, who's left to pick up the pieces? 
"Now, as a suicide strategist, I can source venues and provide all the paperwork, even make arrangements for any pre-event rituals or activities. Legally, however, I cannot be on site or assist at the time of the actual event.
"Have you given any thought to how you want to do it? Where? When? Like, a sunset suicide is really dramatic if you prefer to hang yourself, especially if you find the perfect tree on a hilltop. A silhouette corpse dangling from a tree against a brilliant orange sunset. Soooo stunning. Very Gone With the Wind. But you could also set it at your childhood home or outside the home or office of your biggest nemesis. Lots of options to consider.”

Adam silently mulls the onslaught of suicidal possibilities laid out before him. 'Destination suicide? Who sets aside money to spend on killing themselves? Rich dying guys, probably. Is this what suicidal people think about, fantasizing over how they want to die? What if you haven't obsessed on your own dying moments, does that mean you're not serious in contemplating suicide?' 

The delayed and subdued responses from Adam arouses Sue's anxiety. Sensing this prospective client requires some cajoling, she turns her attention to her binder, flipping through her specially designed forms and worksheets for the client suicide checklist, a document she created for people like, well, Adam, she guessed. She looks up from her binder and addresses Adam again, "So, have you decided on your method?"

"No. I mean, I guess I've considered a few things. I don't like pain."

"Who does, right?! Most of my clients inquire about painless and peaceful options."

"Like sleeping pills?"

"Surprisingly, sleeping pills are not that effective. There’s a lot of romantic notions about overdosing when the truth is it takes a looooong time and it’s not the pain-free escape that most people think. Overdosing is what you do when you’re actually hoping to be rescued by your lover when they’re about to break up with you or leave town. Actually, according to statistics, the most successful method in terms of lethality is the classic shotgun to the head. Go out with a bang is the surefire quickest method with the least agony, but it is messy and you’ve really got to have the motivation to follow through. If guns aren’t your thing, there are other methods but the pain factor increases as well as the time it takes. You can really put on a show and set yourself on fire or literally take a flying leap, depending on how theatrical you want your final moments to be. However, your risk of survival does increase with those methods, so you’d need to be prepared for that likelihood."

In his 43 years, Adam had never thought about death and dying as much as in these last fifteen minutes. He wasn't sure that he really wanted to die. 'Isn't there some way to just...stop existing for a while? Has science invented invisibility yet? How can you disappear, guilt-free from responsibilities and expectations, but still be able to watch television?' As he considers the expense of suspended animation, Sue pushes on with her suicide checklist.

"Oh! Have you written a note?"

"No, I…"

"You really gotta leave a note. You don’t want to leave your death open to speculation."

"I guess not?"

"Now, these days, people don't like reading so much, so you could make a suicide video for YouTube or even something super short, like a Vine or Instagram. You don't wanna leave a Facebook status update because that'll never show up in the newsfeed. Just between you and me, my business has nearly tripled since Facebook. I mean, jeez, no one clicked 'like' on the meme you posted four minutes ago and you think that's a reason to kill yourself? Like, c'mon! What's your online reach?"

"My what?"

"Friends, followers, subscribers...what are your numbers?"

"Uh, I've got a few followers on Twitter. My network is pretty big on Google Plus."

Sue groans.

"Is that bad?"

"I can see why you called for help. It'll be tough, but I think we can work with that. How far in advance do you want to organize this? Do you have a list of people to notify? Most of my clients plan about three months ahead, to give friends and family ample time to respond."

'Since when is death something to be celebrated and promoted? Are we really sending out invitations to our self-destruction? People arrange their own funerals,' Adam muses. He hasn't even told her that he wants to die. She hasn't asked. What would he say if she did ask? Does he even have a choice at this point? Adam decides it's time to speak up. 
"Okay, I phoned thinking someone would talk me through this."

"Yeah, that's what I'm doing."

"No, I mean, help me get past these thoughts."

"So, this is more like a cry for help thing?"

"Uh...I guess."

"Perfect."

"Perfect?"

"Yeah, you don't need a stranger talking you down. This is for close friends to rally around to give support. What better way to find who your true besties are than a suicide announcement?"

"Suicide announcement?"

"Sure, we'll print some invites and send 'em to your nearest dearest. We'll work out all the details for the event. Or you could throw a bequeathal, kind of like a bridal shower but instead of getting gifts, you'll give things away. Or we could go really simple with save the date cards."

"Shouldn't you at least try to talk me out of killing myself?"

Sue closes the binder and feels her face flush from the realization of her faux pas. Here she has launched into full strategist mode without asking perhaps the most important question. Other clients were eager to divulge their suicide schemes to her without encouragement. She'd become desensitized to the process and now came to expect immediate immersion into the macabre. 

"Aren't you even going to ask me why?"

"Why? Why you want to kill yourself? Why does anyone decide to do anything? Why do people get married? Why do they get divorced six months later? Why do they throw lavish parties for puppies and newborn babies? Why do people hire specialists to clean out their messy closets? Why do people move across the country or across the world? Why do they volunteer in third world countries? Why do we cut our hair and get tattoos and go along with pretentious diet fads? We're all just grasping at something, anything to give our lives meaning. We need definition and purpose to our lives, otherwise what's the point? It's like we're all set on this path that we're supposed to follow in order to live the Ideal Life. If you stray from that path at any point, you feel like you've failed. If you discover the path is ultimately unfulfilling, you feel like a failure. If you decide to avoid the path altogether, everyone else makes you feel like a failure. Adam, do you have a job?"

"Yeah, but it makes me miserable."

"Do you think being a 'suicide strategist' is my dream job?"

"I really want to say no."

"Of course I don't want to be a suicide planner! I haven't had a steady, secure job since before the recession. I've got a master's degree in event management but there's only so many events to be managed by one company. I've tried doing other things—I've been a wedding organizer, personal brand consultant, bark mitzvah planner, personal grocery logistics and transportation coordinator, flash mob supervisor, and a personal priorities manager. Sometimes you fall down and sometimes there's no one around to pick you up and you have to decide whether it's worth picking yourself up and starting over again. 
"So, why do you want to die, Adam? And why should I, a complete stranger, try to second guess your motivation? Who am I to say a life should continue or not? Do you really need someone to spew a bunch of life-affirming cliches while you're in your darkest hour? 
"Did your parents stop talking to you? You've had too many failed relationships? You've been swiped left too many times or that job never turned into a career, and all your friends moved on with their lives and left no forwarding address? Maybe you've had to start over again so many times that you're exhausted and no one understands how hard it is to get up in the morning and send out another round of CVs and face another day of silent rejection. Maybe you've tried everything and have become so numb that you find no joy in anything. Sunrises and sunsets and raindrops and brownies and Julie frickin' Andrews herself just don't do it for you anymore. You've heard all the music, read all the books, seen all the movies and none of it sparked joy or inspired an interest in life beyond the dark void inside you? 
"It doesn't matter what's pushed you over the edge to rock bottom or what put the last straw on the camel's back. The fact is you're here, so why not get some attention? So we send out announcements and write thank you notes to the few people who are still important to you. We go through every detail leading up to that fatal day to make it seem like the most important day of your life. Because it is."

The late afternoon rush turns to an early-evening hush. Aside from Adam and Sue, a trio of elderly Ukranian women discussing Canadian politics over tea have replaced the gaggle of teenage girls. In the prolonged quiet following her monologue, Sue recognizes how callous she's been, not just with Adam but with all her clients and about the overall subject of death. She's self-conscious and embarrassed, wondering whether she should quietly excuse herself, remove her flyer from the community bulletin board, and consider going back to school to study economics or digital archiving. Instead, Adam breaks the somber silence between them.

"Huh."

"What?"

"I never thought about all that. Death, life...living. I just shut down, became numb to everything. You've made some valid points. I failed or, rather, I feel like I've failed. I'm 43 with no family, no friends, no career. I was on the path and didn't realize early enough that I needed to take action to make things happen. I was always waiting for things to happen to me. And when things didn't happen to me, I just wondered what was wrong with me that I didn't get the girl or the job or the fruits of the middle-class American Dream placed in my entitled little hands without really trying. I was waiting for you to help me in the way that I've been conditioned to want help, all the while you have been helping me from the moment you sat down. I don't know how to fix my life. Can it be fixed? Can I take up a new hobby and find new passion without feeling judged that I left it too late? Do I want to? Is it too late to be discovered as an artistic genius or do I settle for being discovered some early morning, floating face down in the neighbour's above ground pool? It's not your job to tell me what to do or try to fix me. It's not anyone else's job."

Adam reaches across the table for the binder, pulls it around to face him, and starts flipping through pages.

"You're sure this is the direction you want to go?"

"It's a jumping off point. I mean, it's something to do, at least. Most people aren’t in control of their own death. Maybe some people buy burial plots and coffins, maybe people make a will, some create a mix tape to be played at their funeral. We tend to leave the actual dying up to fate. What if your death doesn't live up to your legacy? What if I can make my death more spectacular than my life?"

"Right. Okay. If you really want to start this process, here's my rate sheet. You'll see all the services itemized. Here, I'm giving a seminar on suicide planning at the Ramada Plaza this weekend. Why don't you come out, meet some of my other clients and get a better idea about services and whatnot?"

Adam turns to the invitation samples in the binder and pulls a simple cream-coloured card with a dark burgundy border from its matching envelope. 

"This looks nice for a bequeathal announcement."

"That is one of the more popular designs. I just attended one last weekend. It's a really good way to clear junk out of the garage!"

The coffee shop staff grows restless as closing time nears, becoming more intrusive with nearby tables and cleaning up the condiment station. Sue takes the cue and loads the binder into her handbag.
"Well, Adam, it was a pleasure to meet you and I think, going forward, we'll be successful in embarking on your end-of-life endeavour."

Adam rises from his seat for the first time since arriving two hours prior. He notices a slight ache in the left buttock of his human suit, likely from sitting on the round wooden cafe chair for so long. The twinge doesn't set off the usual "all life is pain and why even bother" internal spiel. He grabs Sue's free hand with both of his hands and with all the sincerity his ghost pilot can muster, says, "Thank you, Sue. Really, thank you." 

"No worries, Adam. We'll touch base soon."

With that, Sue quickly walks to the door and out onto the street before he can see the tears welling. She made too many missteps with this prospective client—too candid, too rough, too vulnerable. How often has she neglected the needs, the cries for help with other clients? How many people is she shoving towards the grave? No one has taken action, but she hasn’t actually tried to stop them either. Despite her glaring lack of compassion, a trait she's vowed to remedy in future encounters, perhaps she is saving lives in her own odd way.

Adam exits the coffee shop and starts off in the opposite direction of Sue. As he skims the back of the brochure for the suicide planning workshop, he notices how much lighter he feels. While not quite hopeful, he catches himself actually looking forward to the workshop and Sue. Beautiful, strange Sue. He's caught up in thoughts of Sue as he crosses the street that he is oblivious to the screech of the approaching truck.

Ladies and Gentlemen, if I could offer you one thing, background noise would be it. The long term benefits of background noise have been proven in rec rooms and bedrooms for years, while the rest of my advice is nothing more than my own meandering experience. I will dispense the background noise now.

Enjoy the power and beauty of classic sitcoms like Dobie Gillis. Never mind, you will never understand the power and the beauty of Dobie and Maynard until they've faded. But trust me, in twenty years, you will look back and recall in a way you can't grasp now, how funny they were and how much impact Maynard G. Krebs had on the slacker generation.

Sing theme songs.

Don't waste your time with channel surfing.  Sometimes there's something good, sometimes there's not. In the end, you go back to the first show you were watching.

Remember the good programs, forget the horrible ones. If you succeed in this, tell me how.  
​
Stretch out on the sofa.

Don't feel guilty if you don't know what you want to do with your life.  Doogie Howser knew at 15 what he wanted to do. George from Seinfeld still doesn't know.  

Maybe Rhoda's sister will marry, maybe she won't. Maybe Martha Stewart will do a children's show, maybe she won't. Maybe Growing Pains will have a reunion show on their 15th anniversary and we'll remember Ben's real name.  

Dance. Even if it's to a Rhino Records compilation CD commercial.

Read the small print on life insurance commercials, even if you have to squint.

Do not watch E!'s Fashion Emergency, it will only make you feel ugly.

Get to know your parents. They watch television, too.

Be nice to your siblings. They are your best link to your past and the people most likely to join you around the kitchen table for a clip show.

Understand that F*r*i*e*n*d*s come and go, but there's always syndication.

Live in New York once, but leave before you upset the Soup Nazi.

Live in California once, but leave before you start saying "It's like, you know."

Accept certain inalienable truths, commercials will air, TV movies starring Valerie Bertinelli will be made, U2 will get old and you'll fantasize that commercials were witty, Valerie Bertinelli was a good actress, and U2 was a great band.

Don't expect anyone to like the same shows as you. Use the remote for good. Be careful not to lose it, but know that if it does get lost, it will turn up somewhere.

Don't have the volume up too loud or when you're 40, you'll hear like you're 85.

Be careful which channels you watch, and be patient with the cable service that provides it. Television programs are a form of nostalgia. Dispensing it is a way of taking good ideas from the past, modernizing it and recycling it for more than it's worth. But trust me on the background noise. 

(heavily influenced by "Wear Sunscreen")

Smart phones are the new cigarettes. We’ve replaced one addiction with another, trading the experience of taking a drag and having an idle ponder for dragging our fingers across a screen in search of idle distraction.

Ten years ago, it was still rare to see someone texting in public. The only people photographing their food were actual photographers and tourists. Blogs went months without an update. We barely had statuses to update. Those were quaint times. Not as quaint as the previous years of typewriters and phonographs and word processors and one-hour film developing booths. Ten years ago, we were complaining about the abbreviation of “app” for “appetizer” at TGIFriday’s. Ten years ago, it was rare to find a hotel with an in-room ethernet hook-up for internet access. Now the wi-fi waters run (mostly) free and deep and everyone’s texting and tweeting and snapping pics of everything everywhere. Instant messaging is now more instant-y than ever and there’s no excuse for being AFK or opportunity to BRB.

Look, I love the glowing screens. I experience minor panic whenever I’m thrust into a situation without a television and/or internet access. Television was my nanny, my first love, and my connection to the outside world. My addiction predates smart phones, social media, Web 2.0, Mac OSX, and the birth of the average Tumblr user. But even I need a break sometimes. I know when it’s time to step away from the black mirror and join the rest of humanity in meatspace. Unfortunately, meatspace is now overrun with earbuds and little glowing rectangles. And once again, I find myself in a minority.
When I go out, it’s usually to get away from the devices. I stay away from the cafes filled with laptop workers and I leave the wi-fi connection off on my ipod. I pretend to smoke and let my mind wander, free from the compulsion to press a button to release a bit of information that it won’t retain. Are we retaining any of the information we consume from our constant connection? Can you recall which site had that headline that you skimmed before checking Twitter for reactions to that headline? Can you remember whose baby-smeared-with-food photo showed up in your News Feed?
We’ve been conditioned to check email and social networking sites with the possibility of a reward. “Has so-and-so responded to my text? Oh, who clicked ‘like’ on my pic? Have there been any new tweets in the last thirty seconds?” We satisfy that mental itch only to be sent scratching away mere moments later. My diminutive social network does not minimize my own urges to switch between the Facebook and Twitter tabs/apps. The rewards are minimal (or non-existent, if you’re in the mood to be hurtful), making my behaviour more inexplicable.

To cut oneself off from “social media,” to declare “email bankruptcy,” to disconnect from the internet entirely is a lovely fantasy. What must it be like to be without computers, mobile phones, televisions and toaster ovens, refrigerators and stereos? Oh, the sweet relief from electronic hums! Except toast is delicious and refrigerators are quite handy. You could purge yourself of all technology, but you’d be leading an inconvenient life in the modern world. Every generation, or sub-generation, now has to make the choice of being deemed irrelevant or adopt and adapt every new technological “upgrade” and social media “innovation.” It’s becoming impossible to say “No, thank you. I’ll sit this technology fad out and join in again later.” Mostly it’s impossible because technology won’t allow it. Which is why we went through five generations of iPhones in just five years.​

Built-in cameras mean that everyone’s a photographer now. Take a photo, slap a filter on it, and post it on the Internet. Welcome to everyone’s holiday slideshow. It’s easy to dismiss the glut of candid photos and videos as noise until something big happens. We live in the era of Threat-Level Scary and crime procedurals, which fuels the need to capture every moment for the what-ifs. Every event has the potential for a breakout buzzy moment. Someone could jump on a stage and do something wacky. Something could erupt. History is being made somewhere. Concerned citizens become journalists and paparazzi. The rest of us become observers and commenters. 

On the average day, the smart phone just contributes to man’s obliviousness to man. People are in the cinema right now, blithely texting away like they’re in their living room, unable (or unwilling) to notice how bright their little rectangles glow in a darkened room, unaware that their faces are illuminated by their ignorance.
Will the pendulum swing back to more natural pursuits? Will Pinterest links to DIY tutorials pique the general public’s interest in making and doing things for themselves? Will we ever yearn for the reward of hard work and manual labour? Isn’t the result of churning one’s own butter or mending one’s own trousers much more satisfying than the swiping of screens and pressing of buttons in pursuit of “information”? The possibility remains that we’ll kick this technological dependency in my lifetime, by choice or by force. Some entrepreneur will tire of his food truck and discover there’s money to be made in technology rehabilitation centres. In another ten years, I could be sat in some hospital playing with a grown-up busy box to break myself of my crippling addiction to refreshing the Facebook home page. Maybe then I’ll finally learn a skill that can be monetized in the real world.
Step away from your electronic device. Go look at the sunset. Watch the squirrels. Look at how the sun streams into your backyard at a particular time of day and illuminates a spider web that’s seemingly floating in midair. Have you noticed that before? How many times have you almost walked into that thing? Is that squirrel smoking a cigarette?

I need to talk about something very serious. It’s about a condition that I have been living with for many years. Nobody seems to know much about it or how to cure it.  You see, I suffer from chronic creativity.

As a child, I was constantly inventing worlds and imagining situations. My toy box was a spaceship. My tape recorder was a radio station. My light switch was a drive-thru intercom. I wrote songs and plays and stories. My toys were cast in fiberfill vaudeville and Barbie burlesques.

My mother could sense something different about me. The way I put my puzzles together upside down. The way I said “updown side” instead of upside down. The way I organized my crayons by personality traits instead of colour. She tried her best to protect me from the outside world (or was is outworld side?) and vice versa. We tried to harness and suppress my creative urges. We tried to channel them into socially acceptable and productive projects. We did all the creative tests. I went through creative therapy. I tried the creative aids. Nothing worked.

I was ridiculed in school for my inappropriate outbursts of creativity, but I just couldn’t control it. As you can imagine (DON’T! That’s how it starts!), creativity made it impossible to function in “normal” society. The Urges come on suddenly and without warning. In one minute I’m thinking about sandwiches or analyzing NewsRadio‘s wardrobe choices and the next I’m furiously scribbling on nearby scraps of paper or flesh.

Sadly, being creative does not necessarily signify great skill or talent. Like how being chatty doesn’t mean one is also eloquent and well-versed. Quality of output varies. Opinions of quality of output wildly varies. The production of ideas often outpaces the ability the process and capture ideas. These ideas can get lost and mangled. Chronic creativity is an unpredictable condition. No one knows when a flare up will occur; we can only hope to manage the attacks. I can go several weeks without incident. I once went five years without a single creative impulse.
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Is it chemical imbalance? Is it contagious? Is it genetic? Is it genius? Is it a blocked nostril? I don’t know. But it’s a very serious and very real condition.

If you know someone who is afflicted with this condition, do be patient with them. Be kind about their creative output. Keep them well stocked in pens and paper. Give them gift cards to coffee shops and grocery stores. Hire them to create materials for your business or event. Pay them for said materials. Click “Like” on their silly projects on Facebook. Organize a marathon to raise money for creativity research.

Creativity is a lot of work. It isn’t enough to be talented at a thing. One must know about other things in the world, to possess an awareness of other fields and industries or a willingness to research and learn. And then one must be able to apply a creative filter to that knowledge and produce something worthy of public consumption. And, if one is creating of one’s own volition and not for a client, one must also be able to successfully promote and sell that something.
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Versatility in creative trades is necessary. In our glorious modern world, writers must also be photographers, graphic designers must also possess web development and coding skills, actors must also sing and dance and do heavy lifting. Some creatives can switch gears elegantly and brilliantly. When I switch gears there’s grinding and scraping sounds and a bunch of unhappy people backed up behind me. The combination of creative skills can dilute the power and strength of a project or creative person, especially if those skills haven’t been mastered individually. I spread myself too thin, attempting too many feats. I haven’t mastered anything. I don’t have the patience for practicing ’til perfection. Instead, I flit around to other things with hope that I find something at which I am naturally brilliant. The trouble is that I’m interested in a variety of arts and crafts and I often fall prey to the notion of “Hell, I could do that.” Alas, hell, I could not do that. Or that. Or that, either, though I will convince myself I was kind of okay at that. I am not naturally brilliant at anything so far.

It seems impossible to commit to just one thing because of all the other things that are necessary in order to promote the first thing. You’ve written a book? Congratulations! Now make a website, start (and maintain) a blog, host a podcast, make a viral video, tweet, contact everyone in the media, host a party, develop all the skills that you would’ve originally developed had you not been an introverted misfit who turned to writing in the first place because it was the perfect creative outlet and all those other things are terrifying. To create a book, I write, I illustrate, I design, I package. To promote a book, I make videos, write press releases, build websites, create supplemental freebies. I exhaust every part of the Katharine. No skill left unused. Is it the work of genius? Do I have control issues? Or am I simply an impatient woman? The age of digital presence and hyper self-promotion feeds my creative impulses.

I’m a creative hyphenate. I’m a dabbler. I am a vessel. I am a tool. I wear a lot of hats.
But maybe I shouldn’t.

Right now I sit in a pile of my own mediocrity. Things made out of perceived necessity. Skills developed half-assedly and cobbled together from poorly written online tutorials. Great ideas destroyed by poor execution. I know just enough to be dangerous but not enough to be successful.

Eventually one has to settle down, pick a thing and obsess about it for a while. One has to stop tracking trends and following fads and simply work on one’s own style. One has to stop referring to herself as “one” because she inevitably says “Why are we so concerned with what Juan does?” That was funny once, self. (Ed: It never stops being funny, self.)
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Can I commit to one creative outlet? Do I need a special adapter? Do you think I’d be brilliant at ventriloquism?